A major new culture fund to support artists, craft-makers, festivals, education projects and local communities has been set ...

The exhibition traces the College’s evolution from its foundation in the 1960s to today, showcasing rarely seen architectural ...

It put me in mind of the mash-up of collaged imagery that illustrated Eduardo Paolozzi’s famous Bunk! lecture delivered at this very venue, in 1952. For once, though, the art-historical ...

It now houses the Paolozzi Gift, a bequest of works from the Edinburgh-born sculptor Eduardo Paolozzi, and Surrealist works from the collection of Gabrielle Keiller of marmalade fame. Those works ...

Joseph M. Eduardo, Jr, died peacefully on December 28, 2024, surrounded by loved ones. The cause of death was Primary Progressive Aphasia (PPA), a form of Frontotemporal Degeneration (FTD).

Work by the celebrated Scottish artist Eduardo Paolozzi was celebrated by the National Galleries of Scotland last year. Picture: Neil Hanna Urgent investment is said to be needed to reduce the ...

From 17 October 2024 to 24 February 2025, Fondation Louis Vuitton presents “Pop Forever, Tom Wesselmann & …”, an exhibition dedicated to Pop Art, one of the major artistic movements of the 1960s.

The display will feature a series of screen prints created between 1965 and 1970 by pop art pioneer Sir Eduardo Paolozzi, who was born in Scotland and died in 2005. Paolozzi was credited with his ...

38 x 25.4 cm. (15 x 10 in.) From the General Dynamics FUN collection which was made in 1970. From Colour Edition B and is limited to an edition of 70.

28.6 x 24.8 cm. (11.3 x 9.8 in.) Subscribe now to view details for this work, and gain access to over 18 million auction results. Purchase One-Day Pass ...

Scottish artist Eduardo Paolozzi is probably best known as a founder of the Independent Group, pioneering Pop Art in the UK. Working across a huge range of mediums including sculptures, textiles, ...

There is much of interest in the first two rooms of the Paolozzi at 100 exhibition at the Scottish National Gallery of Modern Art and then… nothing. Review by Duncan Macmillan ...