Meet the cohort making up NEW INC's 2025-26 Art & Code track, a collaboration between Rhizome and NEW INC, now in its sixth ...

Web -based interactive and generative composition inspired by John Cage. Combining visual art, sound, and archival TV materials (RAI 1992), it offers an immersive tribute accessible on line.

InterAccess is seeking an artist-in-residence to develop work with our in-house immersive projection system, the IA 360°. Working with the guidance and support of InterAccess’s staff, technicians, and ...

In early 2015, near the end of my MFA in Fine Arts at Parsons, I set out on a project to create a celebrity by 2020—entirely via the internet—as an art practice. The celebrity I began to create was a ...

This is the second in a three-part series to be published on Rhizome. The first part, exploring the history of the emoticon, can be found here. The final installment (forthcoming) will explore the ...

“Imagine if we could begin our little life all over again. Imagine if it was all nothing more than some electronic game. Imagine if I knew then what I know now.” —Deus Ex Machina, Automata, 1984 If ...

In this third segment of our genealogy we begin to form a connection, and to examine those lesser-known but foundational figures that radiate out from Turing's early work. Perhaps appropriately, given ...

This is the first post in a series on the queer history of computing, as traced through the lives of five foundational figures. It is both an attempt to make visible those parts of a history that are ...

"Larp can change the world." So claimed Heikki Holmås, Norway's newly-appointed Minister for International Development back in March, and I couldn't help but take notice. Three months previous, I was ...

The launch of artist Paul Chan’s publishing company, Badlands Unlimited, in 2010 could have been mistaken for a career non sequitur. His foray into book publishing felt at once completely futile and ...

We are no longer mostly dealing with information that is transmitted form a source to a receiver, but increasingly also with informational dynamics—that is with the relation between noise and signal, ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...