The evening was about the rewards of superior musicianship, for both the audience and, yes, the musicians. The program began with Jean-Yves Thibaudet joining the orchestra and Payare in Liszt’s Piano ...
Before this, Hernández had sung in New York only once, in concert at Carnegie Hall with Madrid’s Teatro Real in June 2025.
The audience’s response suggested that a new Met favorite was in the making. Elena Villalón was an affecting Glauce, ...
If one spends enough time around art of the Baroque era, one finds much that is saintly and spiritual, but also no end of ...
The gold medalist at the 2024 Gina Bachauer International Artists Piano Competition coaxed misty and glowing sounds from the ...
Pegasus: The Orchestra, conducted by Karén Hakobyan with pianist Vyacheslav Gryaznov, will perform “Fire & Folklore,” a ...
Of course, it’s true that repeated exposure to music helps to reveal its greatness, and that is the exact problem modern music faces. So much work of the past hundred years is as fine as anything from ...
The Sonata in C major, K. 279, is certainly the “earliest” in terms of musical language, hewing closely to the style galant of J.C. Bach and other models. Lim’s fleet, articulated performance of the ...
Lise Davidsen as Lady Macbeth and Quinn Kelsey in the title role of Verdi’s “Macbeth” at the Metropolitan Opera. Photo: Marty Sohl / Met Opera The Metropolitan Opera’s “The Voice Matters” slogan ...
Peter Mattei as Lincoln and Everett Sobers as Willie in Missy Mazzoli’s “Lincoln in the Bardo” at the Metropolitan Opera. Photo: Karen Almond / Met Opera The Metropolitan Opera mounted the world ...
Kathleen Kim as Barbara and Renée Fleming as Clarissa Vaughan in Kevin Puts’s The Hours at the Metropolitan Opera. Photo: Evan Zimmerman / Met Opera Some things are even better the second time around.
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