Osit divides Predators into three chapters. The first uses To Catch A Predator clips, chat logs and phone calls to build an ...

So, it’s mildly surprising he hasn’t set a film in the contemporary art world prior to The Christophers, though previous ...

LA-based, Spanish-born filmmaker Lucía Aleñar Iglesias discusses her feature debut Forastera, a tender ghost story of sorts ...

Actor and Sundance Institute founder Robert Redford, who passed away this week, is remembered by filmmaker Eva Vives.

Critic Leonardo Goi considers the 2025 Venice Film Festival, including titles “No Other Choice,” “Rose of Nevada,” “Bugonia” ...

Vadim Rizov reviews two TIFF 2025 world premiere films, Claire Denis’s The Fence and Valentyn Vasyanovych’s To the Victory!

Cinematographer Matthew Libatique discusses shooting Highest 2 Lowest, Spike Lee’s signature double dolly shots and mixing multiple film stocks.

Click here to read this year’s 25 New Faces of Independent Film list.

Amid the perpetual torrent of news about rising investment in artificial intelligence tools within the entertainment industry ...

The word nostalgia tends to come up whenever analog media gets discussed. “I’m not against it,” Jessica G.Z., the founder of ...

At TIFF 2025, Vadim Rizov reviews Rian Johnson’s Wake Up Dead Man and Olivier Assayas’s The Wizard of the Kremlin.

Singh and Musteata both had full careers in the art world before coming to film. Born in France to French and Indian parents, ...