More an illustration of a prolix thesis than a groundbreaking docu, the film takes Siegfried Kracauer’s seminal 1947 study on Weimar cinema and reiterates numerous points found in the book, with ...

This is the seventh in a series of articles on the recent Berlin film festival, the Berlinale, held February 7-17, 2013. Part 1 was posted on February 21, part 2 on February 27, part 3 on March 1, ...

A few times each decade, the Museum of Modern Art mounts a film retrospective so focused, inclusive, and downright eye-opening, that it begs to become a daily fix. “Weimar Cinema, 1919–1933: Daydreams ...

“Weimar Cinema, 1919–1933: Daydreams and Nightmares,” running at MoMA until March 7, 2011, is billed as the largest-ever retrospective of German cinema from between the Wars to be shown in the United ...

The Berlin International Film Festival’s retrospective strand for its 2013 edition is set to focus on Weimar-era films produced after 1933, when the Nazis had taken control of the German film industry ...

BERLIN, Germany — Two months after Adolf Hitler’s appointment as German chancellor in 1933, Jews working in Germany’s groundbreaking film industry were warned there would be no place for them under ...

As part of its epic retrospective of Weimar Cinema, “Daydreams and Nightmares,” New York’s Museum of Modern Art will screen Werner Hochbaum’s 1932 film “Razzia in St. Pauli” on January 29 and February ...

Exceptionally beautiful restored film clips are the main reason to see Ruediger Suchsland’s “From Caligari to Hitler: German Cinema in the Age of the Masses.” More an illustration of a prolix thesis ...