Many Cannes audience members reportedly walked out of director Abdellatif Kechiche's newest film, Mektoub, My Love: Intermezzo A film that premiered at the Cannes Film Festival this week reportedly ...

Abdellatif Kechiche, who won the Palme d'Or for 2013's 'Blue Is the Warmest Color,' returns to Cannes with 'Mektoub, Love: Intermezzo,' a follow-up to his 2017 Venice competition film 'Mektoub My Love ...

Palme d'Or winner Abdellatif Kechiche premiered his new film at Venice and is drawing criticism for extremely objectifying his female characters. Four years after winning the Palme d’Or in a unanimous ...

Though far from the best Abdellatif Kechiche movie, “Mektoub, My Love: Canto Uno” is certainly the most Abdellatif Kechiche movie. Running just over three hours, the film is the first in a planned ...

Despite some warranted detractors targeting Abdellatif Kechiche’s male gaze in Blue in the Warmest Color, his romantic drama had no problems picking up the Palme d’Or back at Cannes a few years ago.

Abdellatif Kechiche’s controversial sequel “Mektoub, My Love: Canto Due” is finally here, by way of Locarno 2025 — six years after the director caused a firestorm at Cannes with the previous film in ...

Premiering at the Locarno Film Festival after being held six years in post-production limbo, Abdellatif Kechiche's "Mektoub, My Love: Canto Due" certainly merits the descriptor "long-delayed." Whether ...

After earning the Palme d’Or with his romantic drama Blue is the Warmest Color, Abdellatif Kechiche returned last fall to the Venice Film Festival with Mektoub, My Love: Canto Uno. Following sexy ...

Amin, an aspiring screenwriter living in Paris, returns home for the summer, to a fishing village in the South of France. It is a time of reconnecting with his family and his childhood friends.

The grueling second part of Abdellatif Kechiche's summer-lovin' saga aims for symphonic sensualism, but it's a succession of bum notes. A simple but somehow atypical shot opens Abdellatif Kechiche‘s ...

The “Blue is the Warmest Color” director's latest film is problematic beyond showing a lot of young skin. As in “The Secret of the Grain,” this latest film also about very specific Franco-Tunisian ...